Public Programs @ The Institute
A symposium in honor of Michele Marincola, Sherman Fairchild Distinguished Professor of Conservation The Institute of Fine Arts, NYU, on the occasion of her retirement.
Saturday, November 15, 2025, 9:45am - 6:30pm
The James B. Duke House
One East 78th Street
Program
9:45am
Welcome
Edward Sullivan
Helen Gould Shepard Professor in the History of Art, the Institute
of Fine Arts and College of Arts and Sciences
Introductions by Jennifer Kim, Second-year Objects Conservation Student
10:00am
Margaret Holben Ellis
Eugene Thaw Professor Emerita of Paper Conservation, Conservation
Center
Memo to File: Marincola, Michele
10:15am
Norbert Baer
Hagop Kevorkian Professor Emeritus of Conservation, Conservation
Center
Plus Ça Change
10:30am
Jonathan Hay
Ailsa Mellon Bruce Professor of Fine Arts, Institute of Fine
Arts
Modularity in Northern Song Painting Formats
10:45am
Robert Slifkin
Edith Kitzmiller Professor of the History of Fine Arts, Institute
of Fine Arts
Dim Monuments of On and Off Art: The Ethics and Exhibitability
of Minimalist Art
11:00-11:30am
Break
Introductions by Adriana Vergara, Third-year Time-based Media and Objects Conservation Student
11:30am
Sanchita Balachandran
Director, Smithsonian Museum Conservation Institute, Smithsonian
Institution
The Ancient World in Technicolor: Polychromy in Ancient Athenian
Ceramics
11:45am
Sarah Barack
Head of Conservation and Senior Objects Conservator, Cooper
Hewitt, Smithsonian Design Museum
Kate Wight Tyle
Conservator, Brooklyn Museum
Jessica Walthew
Heritage conservator; Doctoral candidate, University of Glasgow
Conserving Design: the Case for an Expanded Preservation
Approach
12:00pm
Adrienne Gendron
Assistant Objects Conservator, Museum of Fine Arts, Boston
Caterina de Julianis: Meditations on a Little-known Female
Artist and the Power of Wax
12:15pm
Pamela Hatchfield
Head of Objects Conservation Emerita, Museum of Fine Arts,
Boston
Connecting the Dots on a Late Classic Mayan Cylinder Vase:
Yajawte' K’inish Presents an Enigma
12:30-2:30pm
Lunch
Introductions by Rebecca Rosen, Third-year Objects Conservation Student
2:30pm
Emy Kim
Associate Professor of Artifacts Conservation, Department of Art
History and Art Conservation, Queen's University
Feeling with Fire: Early Welders' Skill and Bodily Knowledge
2:45pm
Soon Kai Poh
Special Advisor, Programs and Operations, The Samuel H. Kress
Foundation
Revisiting an Early Jean Arp Plaster Sculpture
3:00pm
Andrew Wolf
Associate Conservator, 9/11 Memorial & Museum
Interpreting the Original through Facsimile
3:15pm
Lucretia Kargere
Principle Conservator for The Cloisters and Conservator for
Medieval sculptures at The Metropolitan Museum of Art, Objects
Conservation, The Metropolitan Museum of Art
Reveal and Conceal: The Material Transformation of a Vierge
Ouvrante
3:30-4:00pm
Break
Introductions by Alayna Bone, Third-year Objects
Conservation Student
4:00pm
Emmanuelle Mercier
Head, Polychrome Wood Sculpture Studio, Royal Institute for
Cultural Heritage (KIK-IRPA, Koninklijk Instituut voor het
Kunstpatrimonium – Institut Royal du Patrimoine Artistique),
Belgium
Material Memories of Splendor. Revelations and Limits in the
Treatment of a Brussels Altarpiece
4:15pm
Noëlle L. W. Streeton
Professor of Conservation, Department of Archaeology, Conservation
and History, University of Oslo
A Pig’s Bladder, a Half-Litre of Liquid, Little Fish and
Simulated Tears – Towards a Reconstruction of a Late-Medieval
Weeping Sculpture
4:30pm
Cybele Tom
Objects Conservator; Doctoral candidate, Department of Art
History, University of Chicago
The Woman from Inner Space: Polychromy and Scholarship as
Sustenance for the Soul
4:45pm
George Wheeler
Senior Consulting Scientist, Highbridge Materials Consulting
…And Now from Another Perspective
5:00pm
Debra Hess Norris
Unidel Henry Francis du Pont Chair, Professor of Photograph
Conservation Director, Winterthur/University of Delaware Program
in Art Conservation
Honoring Michele Marincola and the Evolution of Conservation
Education
5:15pm
Presentation and Concluding Remarks
Natalie Naor, Second-year Book and Paper Conservation Student
Minyoung Kim, Third-year Paper Conservation Student
Lisa Conte
Assistant Professor of Paper Conservation, Co-Chair of the
Conservation Center
Matt Hayes
Assistant Professor of Paintings Conservation, Co-Chair of the
Conservation Center
5:30
Reception
*The Institute of Fine Arts provides reasonable accommodations to people with disabilities. Requests for accommodations for events should be made at least two weeks before the date event. Please email ifa.events@nyu.edu for assistance.
As a participant in our public programs, we ask that you review and abide by the Institute's Community Standards Policy which provides for a positive and educational experience for all of our guests.